Black and white short film directed by Joe Strummer. The basic plot surrounds a man named Earl (Clash bassist Paul Simonon) and a drug-lord/porn director/crime lord named Socrates (their guitarist/singer Mick Jones). Earl's girlfriend gets involved with Socrates and his business, and soon enough Earl becomes the man's number one enemy. Socrates tries to get his goons on Earl's case, especially after he hocks a batch of Socrates' "special" porn, but Earl manages to wrangle up a group of his friends to rebel against them. He's clearly not going to go down without a fight. Besides, the movie's entire score is a 49 minutes run of back to back Clash songs with some rarities.
Clash roadie Barry (The Baker) Auguste writes about the creation of Hell W10 with witty insight in an article for The Daily Swarm.
Some three decades ago this month, the members of The Clash, those of us in their crew, and the band’s closest friends found themselves standing in the freezing cold of Ladbroke Grove, filming a movie entirely directed, conceived, and paid for by Joe Strummer. Hell W10 was a personal project for Joe, which initially plays like a simple, unpretentious home movie. But hidden beneath the surface of its archetypal cops-and-robbers plotline, Joe was cleverly caricaturing the true-life roles of everyone in the band, making the film a prime example of art imitating life. In truth, the “Last Gang in Town” was unknowingly having its last soirée, and that was clear from Hell W10, both in front of and behind the camera.” Barry Auguste.